This list was gleaned from the American Film Institute’s Top 100 Films
Of All Time, an informal poll among friends and fellow movie lovers, and
my own preferences. I claim no special insight or influence, I’m just a
woman who loves movies and enjoys discussing and dissecting them. Here is my list of 10 of the best political films
ever in no particular order:
Dr. Strangelove (1964): While this is often cited as
the greatest black comedy ever made, Stanley Kubrick’s classic has a
serious undertone in its satirical look at the Cold War. The story
concerns General Jack D. Ripper (Sterling Hayden), an off-kilter
military man with an unhealthy obsession with “precious bodily fluids,”
who sends a squadron of B-52 bombers to attack the Soviet Union. The
Soviets react poorly, of course, threatening with a so-called “Doomsday
Device.” As the U.S. president (Peter Sellers) negotiates with his
Soviet counterpart, the world hangs by a thread. Sellers (who plays 3
parts, including the president and a British military officer) does a
stellar turn as the title character, a mad scientist in the mold of
Werner von Braun. George C. Scott is brilliant as General Buck
Turgidson, who advises the POTUS with statistics about “acceptable
losses,” a scary look at how some top military brass were said to have
thought back then (and even still). Hilarious dialogue (“You can’t fight
here! This is the war room!”) and the image of Slim Pickens’s Colonel
Kong riding the bomb down to its target made this film a part of our
cultural vocabulary. Many younger folks haven’t seen this because it’s
in black & white (come on kids, you’re more sophisticated than
that), but it should be in the library of every cinephile of any age.
Mr. Smith Goes To Washington (1939): This film
appears on almost every list of this kind and with good reason. Part of
that is an Oscar-nominated performance by James Stewart, highlighted by
his impassioned speech before Congress. He plays Jefferson Smith, a
small town hero chosen to serve as an interim senator. All gung-ho,
Smith heads to Washington with optimism only to be confronted with the
reality of the corruption he finds. In one of American cinema’s most
iconic scenes, Smith filibusters the Senate in an attempt to reveal its
corrupt nature. It is considered to be an unreal depiction of the Hill
but it may not be as far off the mark as it used to be. Plus, it
features one of the greatest performances of Stewart’s career. Get over
the black & white cinematography and get into Jimmy Stewart’s
performance.
The American President (1995): This dramedy about a
widowed U.S. president and a lobbyist who fall in love shows that we
love our screen presidents to be handsome and charming. Well, Hollywood
is all about fantasy, right? We also love a good romance, even though
the idea of the president and a lobbyist in bed together for anything
other than making money to their mutual benefit is the height of
fantasy. But Michael Douglas and Annette Benning make a lovely couple
and it doesn’t hurt that the script by Aaron Sorkin is clever and witty.
Oh, and Rob Reiner directing? Perfection.
The Manchurian Candidate (1962): The original
version, thank you very much. John Frankenheimer’s tale of a former
Korean War POW who was brainwashed by Communists into becoming a
political assassin is a tense thriller. Brilliant performances by
Laurence Harvey, Angela Lansbury and Frank Sinatra (yes, that Frank
Sinatra!) make this a real must-see. Anyone who only knows Lansbury from
her voice role as Mrs. Potts is in for a real surprise here! The plot
may seem a bit outdated but replace “communist” with the political
villain de jour and you’ll get it. The remake tried but just didn’t
recapture the sense of menace. You will never look at a deck of cards
the same way again.
All The King’s Men (1949): Adapted from Robert Penn
Warren’s Pulitzer Prize-winning novel, this tale of Louisiana governor
Hugo Long’s career is a true classic (though the names have been
changed). Oscar winner Broderick Crawford is Willie Stark, a backwoods
lawyer who rides a wave of populism to get into the governor’s mansion.
Of course, he immediately turns his back on his ideals, becoming just
another crooked politician. Once ensconced, Stark deals with enemies,
becomes quite familiar with corruption and infidelity and generally goes
to the dark side. Trying to help him along the way are a reporter (John
Ireland) and Stark’s campaign assistant (Mercedes McCambridge). She, of
course, wants Stark to leave his wife in order to marry her.
Eventually, Stark’s karma comes back to bite him and he pays for his
corruption even as it looks like he might escape his gloomy future. All
The King’s Men was nominated for six Academy Awards and won three,
including Best Picture. The film was remade in 2006 with Sean Penn
playing Stark, and the less I say about that, the better. Watch the
original.
The Candidate (1972): In a brilliant satire
(released during Richard Nixon’s re-election campaign), Robert Redford
is Bill McKay, a liberal attorney who takes on an incumbent Republican
senator for his seat. Campaign operative Marvin Lucas (Peter Boyle)
signs on to get McKay elected but only on the condition that McKay is
allowed to speak his mind. Which he does – by preaching truth and
honesty. This makes him surprisingly popular in the polls, the public
loving his refreshing candor. But, as always, the candidate finds
himself losing sight of his original idealism and becoming seduced by
the power and the powers-that-be. The Candidate was a critical and box
office hit, and earned Jeremy Lerner (a former political speechwriter)
the Oscar for Best Screenplay.
Milk (2008): Sean Penn stars in the story of Harvey
Milk, California’s first openly gay elected official. The film uses
archival footage, working it into the narrative to provide atmosphere as
it tells Milk’s story from his 40th birthday until his death. Gus van
Sant does a lovely job, not trying to make Harvey Milk into anything but
the human being he was and guiding Josh Brolin in a difficult part as
killer Dan White. Sean Penn was awarded the Oscar for Best Actor and
screenwriter Dustin Lance Black picked up a statue for his original
screenplay. Every modern political activist should see this film if only
to see how we can keep our humanity while fighting for that of others.
JFK (1991): New Orleans DA Jim Garrison is depicted
by Kevin Costner in one of the few films I actually like him in (sorry,
Costner fans). Garrison knew there was more to the Kennedy assassination
than the official story and he was determined to prove it. To that end,
he talks to witnesses, doggedly chasing down the story. The film
chronicles his investigation and the trial of Clay Shaw, chasing various
key figures in the assassination down rabbit holes into even more
labyrinths. The cast is stellar, including Tommy Lee Jones, Donald
Sutherland, Gary Oldman, Sissy Spacek, Joe Pesci and Kevin Bacon. The
enjoyment of this film depends a lot on one’s own theories about the
Kennedy assassination and is one of those love-it-or-hate it kind of
movies. It’s obvious that I am the former (the fact that we lived in
Nawlins during this time and my mother knew Garrison might bias me a
little). JFK won 2 Oscars: one for cinematography and one for editing.
Both Jones and director Oliver Stone were nominated but didn’t win.
All The President’s Men (1976): One of the best
films about the juncture of politics and journalism, this is the tale of
reporters Bob Woodward and Carl Bernstein, who uncovered the details of
the Watergate scandal. This film is still shown to journalism students
and rightly so. It tells the story very clearly and concisely, following
the reporters as they “follow the money” at the direction of their
informant, Deep Throat. When the real identity of Deep Throat came out
in 2005, it created a brief upsurge in interest for the film in the
public. But those of us who are fond of it never forgot it. The cast is
brilliant, including one of my all-time favorites, Jason Robards, who
won the Best Supporting Actor Oscar for his portrayal of Washington Post
editor Ben Bradlee. Screenwriter William Goldman was also awarded a
statue for his adapted screenplay. This one is an absolute must for any
fan of politics or journalism, or both.
V For Vendetta (2005): The only film on my list to
be adapted from a graphic novel, this story of a shadowy freedom fighter
known only as “V” is one of the few such adaptations to succeed, in my
opinion (yes, I am aware of the change of cause and it works even so).
Even though we never see his face, Hugo Weaving is masterful as the
mysterious V and Natalie Portman has just the right amount of
vulnerability mixed with iron strength and, in actually shaving her
head, showed an admirable dedication to her craft. I also loved Stephen
Fry’s turn as Evey’s former boss; such an understated bit of acting.
Creator Alan Moore was not happy with the film and gave all his profits
to the artist who drew the graphic novel, also denying any credits for
the original story. That’s really too bad because, even though it’s
freedom instead of anarchy, the underlying message is the same: burn for
your truth and you will catch others alight, too.
What are your favorite political films? Let us know in the comments.